Category Archives: Art in Progress


The Art of Practice

It’s been 1 year and 10 days since I wrote my last blog post. Wait….what? I seriously can’t believe that much time has passed. It’s actually quite a bit unnerving.

I can’t even explain fully why it’s been so long. We’ll leave it at “the last year has been a roller coaster.”

I’ll cut to the present to tell you the opening of Doors of Perception is happening this Sunday! Mike and I worked our artistic tails off to get work finished (procrastination and artist block were definitely alternating parts of the year….), and we’re both excited to see the show finally hanging.

100 64 Squares

One of the pieces I finished was a grid of 64 6″ squares, the largest piece I’ve done to date at 5′ x 5′. I started the project with 100 squares in mind. Such a nice even number, I thought. A challenge!

OK. That’s a lot of blank boards when you see them all stacked in a large box on the studio floor.

Not too far along into the project, after I had to completely redo the first 9 squares, feeling overwhelmed about finishing, I decided that removing the outer line of squares was going to work just as well and would be much more manageable.

Work in Progress Julie Renfro

It wasn’t quite entirely a Plan B-type of situation, more of a course correction.

Art Practice

I learned over the past year that it’s important to have an art practice. There’s discipline involved in going out to the studio, every day, and working. Working. Whether you want to or not.

It’s not always fun, sometimes it’s quite difficult, but you do it anyway to keep moving the art you do forward in some way.

Even if it’s a very small step. If you keep working, even little bits a day, eventually you’ll finish something. It may not look like you originally intended, but it may just be magical enough.

Wow. It’s really up.

Facebook post by Janice Charach Gallery



Also posted in Art Making, Art Stories, Creative Life, Doors of Perception

Doors of Perception

“When walking, walk. When eating, eat.”
Zen proverb

I’ve mentioned previously that Mike and I have been invited to be in a show in fall 2017, and that each artist has 21 feet of wall space. I think the word “yikes” might have been part of that very same mention (and if it wasn’t, it was certainly in my head).

What’s cool about this though, besides having a deadline, is the wonderfully big expanse of time between now and then. Almost exactly one year from now, in order to fill that space, I must have a few very large pieces, many smaller works, or some combination of both.

  1. this is scary because I have exactly zero finished pieces right now
  2. this is exciting because I have exactly zero finished pieces right now


[ Blank canvas no longer blank. ]

The gallery is the Janice Charach Gallery in West Bloomfield, MI. The show is titled Doors of Perception. There are a dozen or so local artists participating, and I feel honored to have been invited and challenged by the opportunity.

I see shimmering visions of my pieces hanging in that gallery, but at this point it’s unclear to me how to make the visions happen.

Weekly blogging was a Big Goal this past year, and having work for this upcoming show is my Huge Goal for the next year. A lot can happen between now and then, but initially I’m attempting to allow some space for playing with processes that will eventually get me to those finished pieces (one can hope).


[ Experiments include layering of different acrylic mediums. Originally I tried to get an encaustic-like effect, but I think I like the clarity of the clear gels more. ]


[ Using Golden’s High Solid Gel (Matte)… applied a little too thickly, but interesting. ]


[ A failed experiment with Golden’s Self Leveling Clear Gel. I think I applied too thick of a layer because it dried unevenly and also ended up with tiny air bubbles in it. ]


[ A waxy look created using a thin layer of an encaustic “recipe” applied with a brush and tiny bit of water. I’ve since found that Golden has enough different gels to create encaustic-like effects, so I don’t need to mix my own. Having said that, I think I like the colors to remain vibrant and clear. ]

So I haven’t given up on this blog, but I will be writing less frequently, and sometimes less intensely. I want to push myself, but not in a let’s-see-how-much-we-can-cram-into-24-hours kind of way. The challenge is to be more focused about a smaller number of things, one of which is art making/experiments. I do, after all, need a body of finished work in one year’s time.

Sounds easy enough.


Also posted in Doors of Perception

That’s Life

It is true that life gets in the way of art but, if we’re honest with ourselves, we ourselves get in the way of our art.

— Louise Etheridge,

Where did the time go? This week, this year, another September 11th anniversary…it’s hard to wrap my mind around it this morning.

Today we leave for a trip to the Erie Canal. We will be on the canal four days with our dear friends Mike and Elaine, navigating a little house boat. I’m looking forward to it, but I have to say that this past week has been a game of running to catch up in order to leave. Every day this week it just seemed like there wasn’t enough time to get everything done that needed to get done.

I hate that feeling of being behind, feeling like things are just a tad out of control (what’s my excuse, we don’t even have kids for Pete’s sake!), but sometimes that’s Life. Move through it, take things on as they come, and at some point wrestle some semblance of control back. Hopefully.


[ Work in progress for that big blank canvas I posted a photo of last week. I’m setting up the base on the computer and will print out pieces to collage onto the board. Lots o’ layers in Photoshop! ]

This post will be short as a result of my lengthy To Do lists (and poor planning?), but I thought I would point you to another blog post that I read this week, one that I thought had some great tips for getting unblocked. The post is by Louise Etheridge on, titled Breaking through blocks: 10 ways to reclaim your practice.

I will be putting some of these tips to (hopefully good) use when we get back.


Also posted in Creative Life

The Right Tools for the Job

Baby, life’s what you make it
Can’t escape it
Life’s What You Make It, Talk Talk

Awhile back, I was painting away at something and was feeling really frustrated. I was having the hardest time making the strokes behave the way I wanted them, kept grumbling to myself, making a mark, wiping it away, making a mark, wiping it away. Not. Having. Fun.

It took me a little span of frustration, but eventually I focused on the brush in my hand and realized I was trying to make square/right-angled strokes with an angled brush. Doh! How did that happen?

(Hold your horses, I feel a metaphor coming on…)

A little Art and Life Lesson right there: pay attention to your tools. Are they helping or hindering? Sometimes it’s obvious they are not working, but other times it’s subtle. Pay attention to those little niggling feelings that tell you “something’s not working quite right.” If something is proving difficult, perhaps consider the tool(s) you are using. Are they helping or hindering?

Fabric Background Squares

[ More squares…alternating fabric and acrylic. Experimenting with backgrounds. ]

This past week I needed to cut fabric into 1 inch squares. I actually have a nice pair of fabric scissors, although I can’t guarantee they didn’t get used to cut something else, I’m not my mother. (On a side note: I totally get now why the Fabric Scissors are not to be used to cut anything else but fabric, but as a kid, really? They look like scissors, they cut like scissors, so why not use them on the pipe cleaners you want to cut into little bitty pieces?) Anyway, I went about measuring and attempting to cut nice little squares with my fabric scissors.

Not only was I not having fun, but it took way too much time, and the results … not quite as evenly square nor consistently 1 inch as one would hope.

I’m not someone who sews or quilts, ok? But considering the “right tools” rule (and this time it was obvious), I knew that there had to be a better, more efficient (and more accurate) way to do this. My sister Tina does quilt, so I texted: “What’s the best way to cut a s**tload of fabric into 1 or 2 inch squares?”

Studio tools

[ Rotary fabric cutter = Tool of the Week; Canvas covered boards for experiments; Patti Brady and Nancy Reyner books on Acrylic painting techniques.]

Her answer was a rotary cutter, straight edge, and mat. I had the straight edge and mat, a trip to Joann’s procured a rotary cutter.

Oh. My. Goodness. What a difference the right tool makes! Ease, precision, and does the job it’s meant to do (note to self: pay attention, we don’t need any more stitches/scars on your left hand, and all the digits on that hand are needed). Seems a little silly, but using this cutter brought me some joy yesterday. Honest to God, joy from a rotary cutter. Sometimes, it’s the little things.

Permission Slips

Just words and someone’s signature on a piece of plain paper, nothing special really, but in grade school those magic little slips granted Official Permission, usually to do something fun like go on a field trip. Or, they allowed you to get out of something you didn’t want to do like P.E. (they did not, however, have as much going on as their cousin the Hall Pass, which gave you power to be special and be someplace everyone else was not).

Vacation is one of those few times I give myself permission to let go of the Daily Routine, the Lists, the Shoulds. While on vacation, I shut all that out: open my laptop as little as possible, generally don’t check email, don’t look at my phone/Facebook incessantly. If I want to lie on a couch and read all day, that’s perfectly fine. No guilt. That’s the key, I let myself off the hook and allow myself to ignore all the demands of Normal Daily Life (otherwise, it’s not really vacation, right?)

Of course, coming out of that zone and back into routine can be tricky.

I struggled a bit with getting back into the art routine, but gradually circled around it: cleaned my side of the studio, bought some boards to experiment on (I stumbled on a coupon at Michael’s for 50% off all regularly priced fine art supplies. One day only. That day! The coupon lotto win…), got out some books on acrylic techniques (because I wanted to try creating a faux encaustic effect), read the recipes for that and gathered materials…

And then I gave myself permission to screw up.

All those boards I bought, not one needs to end up a finished piece. They can all be ugly experiments, no pressure to make finished work. Just play. I have a distinct, overall end result in mind for the next iteration of my work, but I’m not quite sure how to get there yet, so I need to experiment. Play.

Studio experiments

[ Testing out faux encaustic recipes. Another tool that makes me happy is the green silicon spatula in this photo. It works so well for mixing thoroughly and scraping the edges of mixing containers (we have one in the kitchen too 🙂 ]

Nobody Knows How to Draw a Poinsettia

There was a drawing instructor at ArtCenter who quickly dispelled the notion that one needs to be able to draw from memory: “nobody knows how to draw a Poinsettia.” Basically, get a photo, or the real thing, and look at it. Or take a photo and trace it. Making something harder (or impossible) for yourself, struggling to create, doesn’t make the art any “better.” Figure out your process, your best/most useful set of tools, and start working from there. If that process and set of tools don’t work, try another one.

Or another one. But don’t give up.

Of course this applies to Life too. I know what tools/practices I need to incorporate daily to make me happy. I know what habits I need to discard and replace in order to live my Art Full Life to the fullest. Not saying it’s easy, by any means (small steps Sparky!), but I can honestly say that this past week has been one of those forward-moving weeks on all fronts.

And I may be repeating myself, but I’m not giving up.



Also posted in Art Making, Motivation

Fortune Favors the Brave – Finished!

Who knew making art could be so exhausting? Today was installation day for the Aquarium Gallery window at Ann Arbor Art Center, and after four hours of lifting, placing, touch up painting, and hanging stuff, my feet hurt, the dodgy right knee hurts, and pretty much the whole bod is just plain ol’ tired. But, drum roll please, Fortune Favors the Brave is finally UP!

When I left off in the last FFTB update, I was on to Plan B. Once the panic subsided and a clear (new) direction was forged, it was just a matter of putting in the time. If you read through the previous 5 posts about this piece, you’ll know a lot of ideas got put aside. I’m happy with the finished piece, but it certainly changed and morphed from the original idea (sorry, Ms. Mannequin).

Seriously, can’t tell you how tired I am! I think it’s also the weight of the project being lifted off…now all I have left to do is pick up the gigantic mess I made in the basement.

FFTB-balls ready

[ Green ones got nixed, but lavender, magenta and white pearl ones are part of the hanging items. I learned the hard way that they are fragile and break if dropped (I thought they were plastic) ]

FFTB-thread system1

[ I had to make a diagram for the hanging stuff (of course I did) and used three different kinds of gold thread for hanging. A very subtle effect, but the gold thread glistens when the light is just so. Makes me happy. ]

FFTB-thread system

[ I needed something to hang stuff from, so we bought plastic lattice from Lowe’s. Drilled a hole at every crossing and also evenly between (ok, that was harder than I thought it would be). I ended up not using all the holes (ran out of steam after 60+ and decided “that’s enough”). Each hanging thing had a toothpick tied at the other end of the thread. The toothpicks were inserted up through the hole and then they catch and rest on top of the lattice. Each was then carefully removed, tagged with painter’s tape so I knew where it went, and rolled up so as not to tangle. The lattice was then painted bright pink (thanks, Mike!) ]

FFTB-blank slate

[ The blank slate. Mike contemplates lighting. ]


[ The view from inside. There was a miscalculation somewhere, and the lattice ended up being too wide! Mike had to run home to get some snips to trim the edges (this is the fourth round trip…took us three to get everything here. Good thing we live fairly close. ]

FFTB-balls lined up

[ While Mike went back home, I laid out the ornaments, in the order to be hung. ]


Chrysalis, Julie Renfro, 2009

[ “Chrysalis” is an old piece of mine from 2009 that barely anyone saw. I just felt that it fit the installation somehow and that it would work as a central focal point. I had it on the floor and decided it needed to be higher up, so I stole a little round table from our living room that was about the right size and height…and it was perfect! Honey, do you mind if I paint that table gold? 🙂 ]


[ Finished closeup from the outside. It’s difficult to take photos without getting reflections off the window. I was so tired and my feet hurt so much (needed to be barefoot so as not to mess up the pink furry fabric while standing in the window) that I neglected to take a last set of photos prior to putting the center panel in place.  ]

The cloud photo in the center panel might be familiar to anyone who has read my blog from the beginning. That photo was used in my first blog post, and was taken out the window of an airplane. I was going to put cloud photos in all the smaller frames too, but decided to go with flowers (hate to admit it, but that decision was based on which photos I could more easily access and print…but I do like the end result!)


[ Oval and round mirrors of various sizes were put on top of the furry floor. Why? Can’t remember exactly, but it was an idea that came out of the panicked brainstorming session I had with Mike, when things seemed to be going south. ]

I can’t believe it’s finished! It’s a little anti-climactic, to be honest, but I think it’s the mental and physical fatigue.

On to the next project! After some rest….







Also posted in Art Making, Fortune Favors the Brave

Fortune Favors the Brave – Part 5


Two weeks! Two weeks from today and I will have a finished Fortune Favors the Brave for Ann Arbor Art Center‘s Aquarium Gallery. Sunday, June 26th, I will be installing…something.

It was all going so well until three days ago…

A funny thing happened Thursday evening, while working in my basement, merrily humming along with my FFTB piece. It became apparent, dawned on me in a slow swelling of dread, that it wasn’t working.

I had been adding flowers and sparkly things to the side panels, layers of doilies and gold to the center panel. Using gold map tacks, I had placed the little gold squares that had images of the women in my family on to the center gold panel. I had been thinking about outfits for the mannequin, tying and taping stuff to her to get ideas (gold cape? pink tutu? should I sew something myself? how about a pink feather boa instead of a cape?)

Then Thursday night I decided to place Ms. Mannequin into the piece to get a feel for how everything would come together.

Julie and Miss Mannequin

[ Playing dress-up with Miss Mannequin…before, when we were still friends. ]

Pulling a Rabbit

Sorry to report, but she failed her audition. I had Mike come to the basement to get his opinion. Nope, not working.

Her attitude was all wrong (no smile, so serious), she was just so stiff. She didn’t fit the piece, at all. Mike and I talked through various ideas, but it all came down to: the mannequin has to go.


And now that she’s gone, it looks weird and off to have the center panel be all gold.


Now what? Panic, what else. I know you guys have all experienced, Artists or not, at least one time (more likely several) when a Plan B had to be considered. I could have just continued with Plan A, but I would not have been happy. The end result would not have “worked” the way I had envisioned.

The next part is what Mike and I refer to as Pulling a Rabbit (as in a magician pulling a rabbit out of a hat). Although, because I have two weeks, it’s not a total Rabbit situation (those usually happen one or two days before something is due). But it certainly felt like I had to come up with something in a hurry.

Plan B

We talked some more, I panicked, bounced ideas around, more panic. But as we talked, the threads of a solid direction started to form. It wasn’t hopeless, wasn’t a total Plan B Overhaul, I just needed to, uh, change direction (a little), start one part over, and completely change the central focus of the piece. No problem!


[ Seriously, thought I was DONE with this cutting and pasting, but the gold had to go. I turned the center panel over and went at it. Unfortunately, this side is not smooth, so in certain light you can see the slightly raised lettering of the word LOWE’S. I’m hoping enough stuff will be on it that you can’t see it. The other end of the cat in the lower right corner of the photo is proceeding to chew on and eat the small scraps of leftover paper. ]

FFTB-large stencil

[ I knew this large stencil would come in handy some day. To be used on the newly collaged back panel. Purchased at Joann’s awhile back with a 50% off coupon. No specific plan for it at the time, but I knew it had potential. ]

FFTB-right panel 5

[ At least the side panels are still progressing. Still debating a couple of ideas for inside the frames. ]

FFTB-hanging things5

[ Final gathering of items to hang. ]

So around 10:00 pm, Thursday, June 9th, a new plan was formed.

In the following days Plan B got underway. I still felt all jelly on the inside at first (what the hell am I doing?), but I worked through it, and now I am really liking this direction. Actually liking it more than before. THANK GOD. I can’t even imagine: what if I had waited to put the mannequin in place? What if I had spent all that time, effort, and money, getting her all dressed up, only to find out she didn’t belong in the piece? Ack, gives me anxiety just to think about it.


Work space, the aftermath of panic.

[ The aftermath of panic mode. ]

A lot more gluing, tacking, stenciling, printing, hanging, placing, lighting to do, but this is it, the last update on FFTB before the installation! Can’t wait to finish, can’t wait to install it, can’t wait to share the final results.



[ The installation will have a central something, sitting on the small round table in this photo. I’m leaving it a surprise. No, it will not be a cat. 🙂 ]

Also posted in Art Making, Art Stories, Fortune Favors the Brave

Unfinished Business

You know, in September when I started this blog, I thought that one of the side benefits of writing about my art making would be that it would force me to make more art. OK, not “force” but, you know, apply a little pressure. Some small amount of persuasion to be creative on a more regular and more productive basis since there were people “out there” reading what I wrote (well, theoretically anyway).

If anyone is keeping score out there (and seriously I have my doubts that anyone is paying that close of attention, but if you are, then cool! and thank you) you’ll know that there are a few art projects I’ve written about here on this blog that, well, have sorta kinda never come up again.

Hate to admit it, but I have lots of “works in progress” that aren’t really progressing much, with the exception of Fortune Favors the Brave, which has been my focus lately (deadlines take precedence, that’s my excuse).

I have let some work languish, and I feel badly about that. I got bored, frustrated, disgusted (that might be a little harsh, maybe “displeased”) or some combination of those.

(On the positive side, at least the projects in question didn’t necessitate purchasing a small kiln and all sorts of other expensive supplies that never got used…a story for another blog post…)

Love Letters

Remember the Love Letters to myself? Back in December I wrote a post about letting go, and in it I included a bit about this series of small, quick, fun pieces I was creating and then mailing to myself (if you didn’t read the post, then this will sound sad, and it kinda is). I started these 3″ squares in November, with the idea that I would create one a week. At the time I wrote about them I had completed four.

To date, I have done twelve. If you do the math, although you don’t need to because it’s obvious, there should be a lot more than 12 by this point. And it’s been weeks since I did the last one.


I do love them hanging on the studio wall, pinned up with gold map tacks, and I do love the idea of hundreds, creating a big sparkly quilt on the wall. But I don’t know, Life happened, they stopped being fun, and I lost my momentum.

Still Lifes

Then there is the Still Life series. No. 1 was finished at the end of 2014. No. 2 was finished early 2015. Numbers 3-5 (that I wrote briefly about at the end of this post) never actually became real, physical pieces. The beginnings of one are on the computer. Does that count? As for Still Life No. 6 (mentioned here and here, back in March)…I just sorta stopped. Frustrated. Not liking where it was going.


[ Still Life No. 1 on the right. Still Life No. 6 unfinished on the left. ]

Where There’s a Will There’s a Way

Bear with me, I’m weaving a metaphorical tale here, but if you get bored just look at the pictures and jump to the end…

Right along with the story of the quince bush we tried to kill, we have a Cecil Brunner rose in our backyard that has a mind of its own and is finally flourishing after 15 years. Not only that, it’s blooming in its original spot in the garden and not the place we supposedly moved it to (evidently we need to learn more about digging up plants).

We planted the rose, in honor of my mother, next to a huge tree stump that had been left in the yard by previous owner(s), figuring that it could climb and cover the stump eventually. It never really did well, had a couple random roses bloom eventually, but then we had to remove the stump before it just fell over and demolished the fence (and potentially a car in the neighbor’s driveway next door). So we moved the rose next to the studio, put up a trellis on the side wall for it to climb.

A few years back the rose by the stump came back. Just a couple rosey tendrils with thorns, no flowers. We stuck a decorative iron thingy over it, not having the heart to kill it or move this new version. It existed like that for a few years, not doing much.

This spring, not sure what happened (we certainly didn’t help it along), but all of a sudden there were shoots that sprung up over 20 feet, resting in the lower branches of the pine tree! It was like Jack and the Beanstalk.

I was just going to cut it back, but because we are lazy people, the next best solution was to buy a trellis and just let the new shoots hang over it.


That photo above is a miracle. Fifteen years to get all those flowers! (Hi Mom!) (the bush by the studio did bloom for a couple of years, but a really cold winter killed all the branches, and it had to start completely over from scratch…no flowers on the new iteration yet).

So what has this rose to do with unfinished art work? I see it as a lesson in tenacity and perseverance. Fifteen years to get this amazing, flowering, climbing rose. This is what we envisioned on the tree all those years ago.

The plant just kept doing its (latent) Jack and the Beanstalk Enchanted Bean Thing underground, year after year. I need to just keep at my Artist Thing. Hunker down in my element, keep working. Give the art work time. Abandoning an idea is ok, but don’t quit just because the work becomes tedious.

If you want the end result you envision, hunker down and do the work. It will take time.


With the Love Letters, I think it’s not just boredom, it’s a lack of commitment, not being in it, totally, for the long haul. I know what I want the end result to look like, it just takes a consistent time commitment. Even when it’s not fun. Either that or make it fun again, but if I want that wall full, I need to commit to that end goal.

With the Still Lifes, I’ve actually been thinking about them a lot, working out ideas on how to make them more interesting to me and also better. Thinking about what the end pieces will look like, trying to up my game, and figuring out how to get there.

Also, I now have another deadline! 🙂 I’ve been invited to participate in a group show, in a new (to me) gallery, in summer/fall of 2017. I’m super excited about it, I envision my Still Lifes hanging there, but I will need actual pieces to hang on the walls, so…

I just have to keep at my (sometimes Enchanted) Artist Thing.


Also posted in Creative Life, Inspiration, Motivation

Fortune Favors the Brave – Part 4

“Ok, we’ve got a roll program.”
— Neil Armstrong, Apollo 11 Mission

I was going to write the “we have liftoff” quote, but when I did my two-minute internet research I found the above Neil Armstrong quote on NASA’s website. In the above statement, Mr. Armstrong is “reporting the roll and pitch program which puts Apollo 11 on a proper heading.”

As of progress today, my upcoming installation project for the Ann Arbor Art Center, now titled Fortune Favors the Brave (FFTB), has got a roll program. It has come together to a point where it feels more solid and “on a proper heading.” It is in no way, not at all, not even close to being finished, but now that I have all my walls accounted for and in good shape, there is a foundation for some real progress to be made (if you need to catch up, read part 1, part 2, and part 3 posts).

Not to mention I can now have some more fun. I am really pretty sick and tired of cutting and pasting color prints to the six outer panels (three on each side).

FFTB-Walls finished

I have 5 out of 6 of these panels done, but I. could. not. get. myself. to work. on that darn 6th panel this weekend (see blank, pink, panel on the right above.) While I love the concept of “more is better,” there’s usually a point when I’ve committed to something “more” and then the actual follow through gets tedious.

FFTB workfloor

It’s gonna get done, it has to, but come on! Let’s get to painting gold, and sticking things on the walls! I want my beads and glue gun! Glitter please!

Not to mention I wanted to have something more interesting to show you guys, so I was forced to start on some fun stuff (no beads or glitter yet, sorry) so that most of my photos were not of foam panels and the same old patterns (please, Julie, for the love of God show us something else). So I turned my back on that pink panel (temporarily) for you guys. Generous of me, I know. You’re welcome.

Adding Layers


[ Applying some gold paint to the color panels with stencils. They are way trickier than would seem. You have to have just the right amount of paint on the roller, which is to say, not very much at all. And note to Self: do not do an upper body workout (when you are out of shape) the morning of stenciling and painting on vertical surfaces. ]



[ Taking inventory of frames we have that I can use for the walls. Not sure yet what I want in the frames. ]


I was standing back, looking at the overall piece, when I turned to the left and saw my reflection…in company with “frosting” covered boobs! Cool, I thought, I’ll take a selfie with Ms. Mannequin!

Sure, fine, no problem. It will just take a second.

Selfie_with_barbie cake boobs

– Wait, you gotta get the composition just right. Boobs in the foreground, boob silhouette in the mirror, You.
– Look up at the mirror, you dork, not at the phone!
– Um, do you really want people seeing you looking like this? It’s what you look like when you work, but still….
– At least try to smile, you’re looking too serious.
– Eesh, don’t smile like that, try again. And watch your neck.
– Hey, it’s cute that the pink trim on the mannequin’s bustier matches your phone!
– For Pete’s sake, you’re not Kim Kardashian, nobody cares, just take a damn photo and be done with it.

Seriously, Julie, you are down here to work on art, not take photos of yourself. For poor Pete’s sake, again.



I hear you: from selfies with mannequins to taking photos of the trash on the floor…what kind of art in progress post is this? This woman has a serious problem with focus…

I just thought, OOH! that little pile of scraps looks interesting in an abstract kinda way, gotta take a pic. During my image prep for this post, I played with the scraps in Photoshop…short digression, and fun. Seeds of ideas for later…


Gold Paint, Doilies and Foil, Oh My

ANYWAY, back to the actual piece….

I decided on a sheet of foam insulation for the center section (not using Mike’s previous center piece), so we took a trip to both Home Depot and Lowe’s yesterday, ending up with a 2″ thick foam panel from Lowe’s (we tend to help keep both places in business). This time, instead of cutting the 4 foot by 8 foot sheet of foam ourselves in the parking lot, we asked the Lowe’s guys to cut it for us (fear that there may be Home Depot Police may be waning, but you never know, Lowe’s Police could be a whole other thing).

Back at home, after cutting it down even further (hard work!), I gave it a coat of white gesso, a coat of gold paint, and now I’m starting to add some texture as a base: doilies (I had some, but not enough, therefore a trip to Joann’s) and gold foil pieces (a roll of fancy baking foil I’ve had in the studio). It’s all going to get covered up with more gold paint.



[ Haven’t started adding the foil yet, but it’s next. ]

FFTB-in progress

So there you have it, the progress of FFTB so far. Slow going, but progress.

And getting gold paint on my hands in the process is always a good thing.

BTW, per last week’s post, on a few fronts I “tried really hard” this past week, and it’s truly amazing what you can do when you put your mind to it. Make a commitment. Be unremitting. Challenge your assumptions about what you can and cannot do, what you have time for.

Of course, yard work did not get done, but art making did. Priorities, my friends, priorities (sorry neighbors that have to look at the front yard, and apologies to Mike the Mailman that will soon have to hack his way to our mailbox).



Also posted in Art Making, Fortune Favors the Brave

Title No Longer TBD – Part 3

Several weeks back, as I was walking on the treadmill and staring at the parts and pieces that were the beginnings of my Aquarium Gallery piece, the phrase “fortune favors the brave” bubbled up from somewhere in my consciousness. Had a nice ring to it, but wasn’t sure I wanted to commit (what does it mean exactly?)

Regardless of meaning, it has taken up semi-permanent residence in my head, pulled up a nice comfy chair in a corner, sat down, and waited. Hung around. And it’s been sitting there all these weeks, so I decided to let it stay.

Fortune Favors the Brave.

This is now the working title of the piece.

It’s still a shimmering idea/shape, not yet fully formed (my guest is but a ghost), but we’re going to have a conversation over the next few weeks as I work. I’ve learned that I have to trust my intuition, my instincts, and not get too caught up in “meaning” initially. But you know my guest will have some things to say as she becomes more solid, I’m sure.

[ By Hans Sebald Beham - Private collection, Scan by Yellow Lion 2006, CC BY 4.0, ]

[ By Hans Sebald Beham – Private collection, Scan by Yellow Lion 2006, CC BY 4.0, ]

The above image has nothing, really, to do with my piece, but I liked the drawing of Fortuna (plus, not sure of their purpose, but those shin bracelet thingies with lions on them rock. I think I need some.)

Fortune Favors the Brave - Getting Started

[ Beginning to put things together (finally!) – purple pillow required for sitting and kneeling work on the floor. ]

The Home Depot Police

Even though he said I could, I decided I couldn’t bear to paint completely over all of Mike’s previous hard work (on the panels I’m reusing), so we went to Home Depot to buy the large sheets of foam insulation that would be the base of my piece. This way I could cover up Mike’s panels using Velcro to adhere the foam to the walls, and the foam will allow me to pin things into it (lots and lots of things).

The insulation sheets are 4 foot by 8 foot, and therefore will not fit in our Honda Civic without a little help. After purchase, we stepped outside the store and Mike wanted to cut the panels right there on the cement by all the carts parked against the building. I had brought a knife (stashed away in my purse), but I guess in my mind I had envisioned we would do this surreptitiously out by the car. Not in full public view of anyone walking out of the store. And the Home Depot Police.

As I have noted in other posts, I am a worrier. And I tend to be a Rule Book Follower. Problem is, since I don’t have the Rule Book (that everyone else secretly has), I will make up what I think are the rules. As I’m helping Mike cut the panels into manageable sizes, I’m thinking:

“This has to be against some Home Depot policy. You can’t be allowed to bring a box cutter to the store and start your DIY project right there on the premises. We’re going to get caught. We’re going to get in trouble.”

I hate conflict. I don’t want to get yelled at, or worse taken to the Home Depot Police room at the back of the store to be questioned. Until this moment I hadn’t really thought such a room (or group of burly men) existed, but now in my mind they do, for sure. Lurking in the back of the store viewing security cameras.

So as I’m working through this anxiety, we finally get the panels down to 2 foot by 8 foot and take them out to the car. But 8 feet is still too long, so more cutting needs to happen. I mentally start hopping from foot to foot, and I finally can’t help myself, I say something to Mike to the effect that this has to be against Home Depot policy.

Mike just gives me that look. It’s loving, and understanding, but it’s the Seriously? Look. I’ve seen it over the years, it’s the Just Stop, You Worry Too Much Look (which, I have to admit, is 99.9% true, but there’s always that chance that the Bad Thing, whatever it is, will happen).

He reassures me it’s all going to be fine, and as always I would like to believe him, but, you know, there are rules. And I’m convinced we are clearly breaking them. Mike takes the foam panels to the grass strip at the front of the parking lot, which in my mind is still too out in the open, and I’m mentally hurrying him along. Be quick! Eyes are watching!

But the Home Depot Police don’t come running and yelling from the store, and we get our newly cut insulation panels into the car. We are safe. This time.

And I have to confess … as I was writing this post, the thought came, unbidden, “what if Home Depot reads this?” … honestly, I’m not sure there’s hope for me.

Anyway, work has begun:

Fortune Favors the Brave, base collage closeup

[ Color laser prints of my original collage pieces, Mod Podged to the foam. Not sure yet if the entire surface will be this…I may break it up with something else. But this is just the base work, there will be lots of stuff attached to the walls. ]

Fortune Favors the Brave, in progress view from the floor

The view from my purple pillow on the floor. The left and right panels of this side have the foam attached via Velcro. Center panel with Mike’s painting is yet to be covered. ]


Fortune Favors the Brave - getting ideas

[ Getting ideas using the fake flowers from the original Barbie Cake project. I had covered many fake flowers with glitter…cant’ wait to use them in this piece! ]

Old Work

[ Since I’m reusing parts of older work, I’m thinking I might incorporate some *other* older work I’ve done, hang these small pieces on the walls perhaps? Maybe the whole installation becomes an amalgamation of previous works into one?…just an idea. ]

So the real work has begun! There has been actual attaching of parts and cutting and pasting of things. This is real progress.





Also posted in Art Making, Art Stories, Fortune Favors the Brave

Title TBD – Part 2

{ NOTE: I know I’m a day (or two) later than my normal weekly schedule. I did start writing yesterday, but my weekend got away from me, and the writing wasn’t coming as easily. Flying by the seat of my pants, indeed… 🙂 }


The debate in my head went something like this:

Julie1: you can’t do a “part 2” post yet, you haven’t done very much, there’s nothing to write about.

Julie2: but that’s part of the process, right? I want to write about the whole process of creating this installation.

Julie1: well, you’ve really only done a lot of thinking about the piece, not a whole lot of doing. You can’t write about sitting on your butt “thinking.”

Julie2: why not? That’s part of the process…

Julie1: but that’s boring.

Julie2: but that’s part of the process…

Julie1: well, there are no engaging pictures of you “thinking.” You need pictures of something, otherwise it really will be boring.

Julie2: but sitting and thinking’s part of the process…

Julie3: you guys are driving me nuts, just start writing for Pete’s sake…

Anyhoo, the debate rambled on like that for awhile, which I know is not very exciting, and perhaps not interesting to you in the least. But I really do do this at the start (and in the middle) of a piece: circle around it, stare at it, think about it. The basic substructure is up (you can read Part 1 of this series here), so I stare at it as I walk by to do laundry, or while I’m on the treadmill which sits in the opposite corner, or on the stationary bike (not actually cycling mind you) with my coffee…and I’ve been debating choices, rolling ideas around, contemplating:

+ Should I add foam insulation to the walls? Still not sure about that idea…I can pin things into it if I do. Or should I just paint the walls Mike used (although I hate to paint over all that work!) and then glue stuff to them?

+ We know from experience that the Aquarium Gallery window gets direct afternoon sun and the space heats up…a LOT. Mike had fake candles that were partially made of wax, and several of them melted and needed to be replaced. Something to keep in mind.

+ I want to hang stuff from the ceiling, LOTS and LOTS to fill the space. How the heck is that going to work? Dowels or 1″ x 2″ wood strips will probably sag in the middle, so maybe an already built lattice of some sort?

+ What exactly am I going to hang from the ceiling and pin to the walls? That will determine how I’m going to build it up…

Basically, I drive myself nuts with endless options (aka commitment avoidance). In the meantime, I have been prepping parts:

Found Squares from Past Work

[ I did find these unused, unfinished squares from a previous installation that Mike and I created, and I thought they would be a perfect addition to this new work. These squares currently have images of the women in our families on them. Not sure if I will keep the images or replace them. ]

Muriel Renfro - Princess

[ My mother, Muriel Moore (I love this photo). A coat of gesso over the previous color before I repaint them gold. ]


It was random that I found this stack of squares, piled (and hidden) in a corner of the studio, but I’m so happy I did. There are currently 60 of them that need to be painted over with gesso, then a couple coats of gold.

Then I plan to summon my inner 6-year-old self, get out the glue, beads, glitter, and miscellaneous sparklies, and have some fun. That’s the current plan anyway.

Time consuming work, and mindless, in a way, except 1. right now it’s nice to have an art task that doesn’t require a whole lot of decision making, and 2. with these particular squares, I have been treasuring each image as I paint around them, thinking about each person. Some of these women I know/knew, some I have never met, but they are all part of the interwoven story of my life with Mike. A nice bonus to this process.

Grace Moore - the squares are getting gold borders

[ Grace Moore, my maternal grandmother. I’ll have to write a post someday that is just about her…from the little I know, she was a strong, resilient woman. ]

I’m also mulling over ideas for a title. Premature you say? The cart before the horse? Well, giving it a title is one of the most fun parts!  It also might help shore up my decision making process 🙂 A phrase (potential title) did pop into my head last week when I was jogging on the treadmill. But I don’t want to reveal that yet. Still pondering. The piece may or may not even have a meaning. Perhaps it will just be decorative (and weird).

Since I don’t have a solid plan yet, I’m kinda winging this series of posts about process (really? You don’t say…)…so, not sure when “part 3” will happen. Two weeks? Three? But whenever it is, I will have moved things forward and will have more to share. Stay tuned!




Also posted in Art Making, Creative Life, Fortune Favors the Brave